Along with Kuhunga (makishi), Unyanga is the most common style of makishi music performed in vilende (large dancing events). Though most spirits who dance Unyanga are Luchazi, some important ones (like Utenu) are Chokwe. Unyanga is common at vilende in Chokwe, Luchazi, Luvale, Mbunda, and other related communities. Historically, Unyanga was performed by hunters after a successful kill. Today, however, it is exclusively performed by makishi. All the spirits who dance Unyanga were hunters in a past life. Affirming this connection, some of these makishi even perform hunting duties. For example, the likishi Kapalu slaughters a goat during the Likumbi Lya Mize festival. In a more symbolic example, during the mukanda (male initiation school), the likishi Katotola hunts in the village for boys to bring to the initiation camp (Penoni 2018, 234-235).¹ During the mukanda, it is said that these initiates are “killed.” Because of the importance of Katotola and his actions in mukanda, many refer to the Unyanga dance as “Utotola.”

In another manifestation of the hunter-spirit relationship, all makishi who perform this dance wear malambu (animal hide skirts). Some may even carry a bow and arrow. Many makishi in this class have other props such as a cowbell tied to their malambu, mingongo (thick sticks) that they strike together (and against their malambu), and small jizombo (short bark-cloth skirts) around their necks.

Unyanga drumming closely resembles that of Mbunda. Among other similarities, both feature a low support drum permitted an unusually large amount of variation. Despite these resemblances, Unyanga and Mbunda have different songs, dances, costumes, and associated makishi. Unyanga dancing is characterized by swiveling shoulders and outstretched arms.